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This programme contains
some strong language.

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The impetus to move West and
blast all that open and be free,

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being in that gorgeous state
of California.

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You smoked a big one, took the
shrink-wrap off, put the record on the record player

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and you were gone.

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There were things that we all
felt were right

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and the truth is, I don't think we
were wrong about hardly any of them.

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I had to watch the fights, the egos,
the drugs, the alcohol,

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the...the...paranoia that came along
with all of that.

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And it scared me.

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10 million girls
and 2,000 bumps down the line,

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you don't know who you are any more.

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What's happening in the process,
which I served gladly,

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is the corporatisation of rock.

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We just...

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took it to the bank.

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In 1965, Manhattan and London
monopolised the music business.

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A decade later, for musicians
and moguls alike,

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there was only one place to be,

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and it wasn't rain-soaked England
or uptight New York.

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This is the story of how a small
community of singer-songwriters,

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exiled in a rustic paradise
at the heart of the metropolis,

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transformed Los Angeles into
the music capital of the world.

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or this could be hell...

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It's a tale of artistic brilliance
and decadent decline,

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of how a bunch of hippies gave rise
to the biggest-selling record of all time,

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of the birth of corporate rock music
and the death of a dream.

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What a nice surprise

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At 3am on 18th August 1969...

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..a new group from Los Angeles
took the stage at the Woodstock music festival.

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Thank you.

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They faced an audience
of several hundred thousand

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and a cross-section
of their musical heroes.

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This is the second time we've ever
played in front of people, man. We're scared shitless.

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There's that remark by Stephen,
"This is our second gig and we're scared shitless."

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I mean, he was right.

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We'd played a couple of nights
before in Chicago

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and that was our second gig.

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Everybody that we really thought
was good was there.

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Hendrix, Airplane, Grateful Dead,
the Band.

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The Band.

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Did I mention...the Band?

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Uh...all standing around
right behind us.

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"OK, the record was OK.
Come on, show us."

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We knew who we were and what
we could do, but nobody else did.

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Woodstock marked the collective
climax of the hippy dream

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and Crosby, Stills, Nash and Young,

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along with their friend Joni
Mitchell and manager David Geffen,

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were the alternative generation's
hip new disciples.

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and...

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We arrive at LaGuardia airport
and the New York Times says, "400,000 people sitting in mud,"

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and I said, "Forget it,
I'm not going."

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Joni and I stayed in New York
at my apartment, where she wrote the song Woodstock.

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David Crosby, Stephen Stills,

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Graham Nash, Neil Young,

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David Geffen, Joni Mitchell.

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Six rising stars
of the counterculture

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who came together in a city
where ambition and idealism went hand in hand

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and helped put Los Angeles
on the musical map.

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That man on the end is Jim McGuinn.

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The one playing bass is
Chris Hillman.

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The one playing the drums is
Michael Clarke.

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And I'm David Crosby and, when we are
together, uh, they call us the Byrds.

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MUSIC: "Mr Tambourine Man"
by the Byrds

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You'd be driving down Sunset Strip
in your car

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and you'd hear the beginning notes
of that and think, "Wow!"

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It'd just be such a rush.

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The quintessential folk-rock music.

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no place I'm going to...

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In May 1965, the Byrds,
a Los Angeles beat group,

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released Mr Tambourine Man,

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a song written by
the definitive hero of '60s folk.

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The convincing case, the QED
for the singer-songwriter...

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..was Bob Dylan.

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Would you say that the words were
more important than the music?

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Uh...

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the words are just as important
as the music.

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There would be no music
without the words.

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I got turned on to the Byrds
because...I was a Dylan fan.

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And the music was important
all of a sudden.

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Music was saying something,
something that might move you, might change you, might change the world,

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might...push buttons.

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And there was a sense that something
very important was going on.

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The Byrds transformed Dylan's
acoustic folk ballad

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into a number-one pop single,

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directly inspired by another
revolutionary team of songwriters.

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George Harrison, John Lennon,
Paul McCartney and Ringo Starr.

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We just were in awe of them.

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They were SO good.

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They'd put out a song like Paperback
Writer and I'd wanna just give up

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cos I could never do that,
I could never get close.

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Probably the thing that John and I
will do will be write songs,

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as we have been doing
as a sideline now.

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We'll probably develop that more.

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You could be an artist who did songs
that were written for you

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but you really wanted to be the kind
of artist that the Beatles were

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because they wrote all their stuff
and you could - ha-ha! -

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you could really express yourself
if you could do it.

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Everyone was so thrilled,

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and nobody was thrilled about
folk music at all.

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It was as if it didn't exist,
and pretty soon it didn't.

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For a generation schooled in the
folk tradition of the East Coast,

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the Byrds' artistically credible
but commercially successful pop

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opened up a whole new world
in which the singer-songwriter reigned supreme.

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Musical life in Los Angeles would
never be the same again

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and a small stretch of Hollywood
became the only place to be.

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a rock'n'roll star

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how to play...

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The Sunset Strip is just this
bizarre anomaly,

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physically part of the city
but politically unincorporated,

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and from the '30s and '50s,
essentially governed by the Mob.

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By the early '60s, the Strip was
in decline

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and so what happened is that
the folk-rock scene inherited

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what was the ruins of the glamorous
Strip of the 1930s and '40s.

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The place where the musicians and
songwriters felt they could be most in touch with

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the kids who represented the shape
of things to come.

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All these kids would come,
and they'd be underage kids,

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wearing bell-bottoms and beads
and flowers and all that stuff.

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There was this flowering of feeling
and reverence for life,

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like a carnival midway.

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And so the music scene was happening
right in the middle of all of that.

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There was a magical quality to it.

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We suddenly found ourselves
in the centre of a vortex.

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Somehow, music became

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a medium for an entire generation.

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You know, they're shooting this
for television.

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I'm sure that they'll edit this out.

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I want to say it anyway,
even though they WILL edit it out.

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When President Kennedy was killed,
he was not killed by one man.

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He was shot from a number
of different directions by different guns.

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The story has been suppressed.
Witnesses have been killed.

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And this is your country,
ladies and gentlemen.

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Nobody articulated the values
of the Sunset Strip's burgeoning counterculture

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with as much swagger
as the Byrds' David Crosby.

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David was the mouthpiece
for our generation.

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In Rolling Stone, he was the one who
had the mouth - he was speaking out

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and saying stuff,
politically speaking.

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I certainly wasn't anybody's guru,
man. I'm not smart enough.

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Are...and you...

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..I was certainly outrageous.

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I probably helped tilt it
towards outrageousness.

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So outrageous and so outspoken

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that it was no surprise
when David Crosby was kicked out of the Byrds in 1967

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and began to look for a new band.

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I like eclectic music, you know.

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I like things that have roots.

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in the wee, wee hours

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cos of drizzling showers

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He come movin' up with me

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to some little old souped-up...

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When my group was playing in
New York, we played at a jazz club and we sang four-part harmony.

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And we discovered him down the block
playing in a little coffee house.

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I'd become airborne...

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Wow! This young guy with the guitar
is really neat.

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My group moved to LA

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and, soon after,
Stephen moved to LA.

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He'd stand at the edge of the stage
and watch us singing and he loved the harmonies.

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No, baby

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I'm gone like a cool breeze.

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In 1965, Stephen Stills,
a folk-singer from Texas,

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joined the musical exodus from
Greenwich Village to Sunset Strip.

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The following year,
another precocious songwriter from Canada arrived,

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chasing sunshine and stardom in LA.

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Everybody having a good time,
or what?

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and buy a pickup

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and try to fix up

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I was sitting on the trunk of my car
and he saw me and he pulled in

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duck, is...

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"How are you, man?"
And he dug out his guitar

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and sang me four or five of the best
songs I'd ever heard in my life.

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00:14:01,425 --> 00:14:04,673


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00:14:05,712 --> 00:14:10,477


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If he'd been a girl,
I would have kissed him!

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His power as a songwriter
is undeniable.

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00:14:18,868 --> 00:14:22,673


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00:14:27,113 --> 00:14:31,397
In April 1966, Neil Young
and Stephen Stills

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came head to head in a traffic jam
on Sunset Strip.

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Well, we, er...came to Los Angeles
in an old hearse to, er...start...

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to try and make the stars -
you know, we're gonna be stars.

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So, er...we were just about to leave

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and I saw him in a van
going the other way on Sunset

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and he stopped and we stopped and
we all stopped and then we started.

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Stephen Stills had found the band
that he'd always wanted.

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00:15:01,633 --> 00:15:05,998

about no hot, dusty roads...

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They were widening the street on
Franklin - a street in Hollywood. I went outside

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00:15:11,108 --> 00:15:14,570
and they were all arguing
about what to call the group.

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And on a bulldozer, I saw the words
"Buffalo Springfield".

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00:15:21,113 --> 00:15:26,152
Buffalo Springfield represented a
hip, new wave of musical emigres -

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more a collective of mutually
ambitious individuals

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00:15:29,484 --> 00:15:32,677
than the uniform pop groups
that preceded them.

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00:15:32,712 --> 00:15:38,592
Er...my name is Neil Young... Neil.
How do you do?..lead guitar player. How do you do? This is Richie Furay.

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00:15:38,627 --> 00:15:43,912
Big Dewey Martin - Buffalo Dew.
Hello, Dewey.

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00:15:43,947 --> 00:15:46,632
Bruce Palmer from Toronto,
Canada. OK.

217
00:15:46,667 --> 00:15:50,249
Steve Stills from New Orleans.

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00:15:50,284 --> 00:15:53,832


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Buffalo Springfield
brought a new musical momentum to the Sunset Strip.

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And when their audience provoked the
city's reactionary establishment,

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their response was a pop protest
that, like LA,

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was both cool and commercial.

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Los Angeles was the scene of one
of great culture wars in US history.

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They want everybody to do the same
thing and live their own life.

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They want you to grow up, get an
education, raise children and die.

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From the coming of Hollywood,
with its sinful lifestyles,

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into a city into which a million
pious, Protestant mid-Westerners had moved during the 1920s...

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Because you don't have a job
because you don't have a direction,

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you're not a part of
the super-society called "America".

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And in a sense, the battle
of the Sunset Strip in the late '60s

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00:16:48,947 --> 00:16:52,278
was the last battle
in this 40-or-50-year-long clash

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00:16:52,313 --> 00:16:58,752
between Hollywood Babylon on one
hand and the kind of main-street puritanism on the other.

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00:16:58,787 --> 00:17:01,877
Why do they think they can put down
on our music?

234
00:17:01,912 --> 00:17:06,432
They say it's bad. They say it's
noise - "Turn down the noise."

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00:17:06,467 --> 00:17:09,233
But do they ever listen
to the words?

236
00:17:09,268 --> 00:17:12,233


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00:17:13,593 --> 00:17:17,192


238
00:17:18,312 --> 00:17:22,492


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00:17:22,527 --> 00:17:26,673


240
00:17:28,872 --> 00:17:32,273
In the daytime, Sunset Strip had
all these posh clothing stores.

241
00:17:32,308 --> 00:17:35,912
Those people didn't like the kids
hanging out at night.

242
00:17:35,947 --> 00:17:38,837
And so, pretty soon,
the police would come down.

243
00:17:38,872 --> 00:17:45,393
They'd park a big bus in the middle
of the Strip and take everyone that was underage on the bus to jail.

244
00:17:48,432 --> 00:17:53,712
Pulling these beautiful young girls
and throwing them on the bus.

245
00:17:53,747 --> 00:17:57,513
What is that about? You know.
Everybody... "That's crazy!

246
00:17:57,548 --> 00:17:59,997
"It's the man. It's the pigs.

247
00:18:00,032 --> 00:18:04,553
"It's the other side.
It's the same people that are trying to send us to war.

248
00:18:04,588 --> 00:18:07,872
"It's the older generation that
doesn't know what life is about."

249
00:18:07,907 --> 00:18:09,598


250
00:18:09,633 --> 00:18:12,993
They were worried
about the counterculture.

251
00:18:13,028 --> 00:18:15,873


252
00:18:15,908 --> 00:18:18,397
Godless communism.

253
00:18:18,432 --> 00:18:20,433

their minds...

254
00:18:20,468 --> 00:18:22,517
Corruption of youth.

255
00:18:22,552 --> 00:18:25,637

Drugs.

256
00:18:25,672 --> 00:18:30,838

Hey! What's that sound...?

257
00:18:30,873 --> 00:18:36,072
He's communicating with his peers
and the cop says, "You can't do it. Get off the street!"

258
00:18:36,107 --> 00:18:39,329


259
00:18:39,364 --> 00:18:42,517


260
00:18:42,552 --> 00:18:46,412
The Sunset Strip riots provided
the perfect showcase

261
00:18:46,447 --> 00:18:50,272
for Buffalo Springfield's
socially conscious folk rock -

262
00:18:50,307 --> 00:18:52,477
a distinctive sound

263
00:18:52,512 --> 00:18:56,392
that was sending shockwaves through
LA's new musical establishment.

264
00:18:56,427 --> 00:18:58,877


265
00:18:58,912 --> 00:19:01,918

what's going down...

266
00:19:01,953 --> 00:19:06,433
I saw dollar signs. I thought,
"These guys will do something great!"

267
00:19:06,468 --> 00:19:09,397


268
00:19:09,432 --> 00:19:11,398
There was sort of
a whole marketplace.

269
00:19:11,433 --> 00:19:17,393
These guys were doing something
purely unique and wonderful

270
00:19:17,428 --> 00:19:18,917
that I really loved.

271
00:19:18,952 --> 00:19:21,398
That was it.
It was like the moment of truth!

272
00:19:21,433 --> 00:19:25,638
Whether or not any one group
could hold that much talent...

273
00:19:25,673 --> 00:19:31,632
Don't forget, in Buffalo Springfield,
on top of Neil and Stephen you had Richie Furay and Jim Messina

274
00:19:31,667 --> 00:19:33,273
and, er...

275
00:19:35,392 --> 00:19:36,037
It was...

276
00:19:36,072 --> 00:19:39,392
It was explosive!

277
00:19:41,232 --> 00:19:44,918
Despite producing three albums
and a hit single,

278
00:19:44,953 --> 00:19:48,992
a combination of incompatible egos
and bad management

279
00:19:49,027 --> 00:19:52,072
made Buffalo Springfield's demise
inevitable.

280
00:19:53,192 --> 00:19:54,958
And by 1968,

281
00:19:54,993 --> 00:19:59,993
Stephen Stills and Neil Young
were once again solo artists.

282
00:20:02,832 --> 00:20:06,192
If you're political, I guess
it means a political revolution

283
00:20:06,227 --> 00:20:09,558
and, to some people,
it's a spiritual revolution.

284
00:20:09,593 --> 00:20:13,913
I like to believe that maybe people
are getting more together.

285
00:20:18,553 --> 00:20:24,037

from both sides now...

286
00:20:24,072 --> 00:20:28,512
When Judy Collins sang, "I've looked
at life from both sides now..."

287
00:20:29,592 --> 00:20:32,832

I recall...

288
00:20:32,867 --> 00:20:34,557
"Clouds' illusions".

289
00:20:34,592 --> 00:20:40,113
We'd never used words like that,
and so we discover a new songwriter

290
00:20:40,148 --> 00:20:41,917
named Joni Mitchell.

291
00:20:41,952 --> 00:20:46,393


292
00:20:46,428 --> 00:20:51,150


293
00:20:51,185 --> 00:20:55,873


294
00:20:56,232 --> 00:21:00,072


295
00:21:01,272 --> 00:21:04,398
By 1967,

296
00:21:04,433 --> 00:21:07,473
Joni Mitchell, a Canadian
folk singer based in New York,

297
00:21:07,508 --> 00:21:11,398
had already found success
as a writer.

298
00:21:11,433 --> 00:21:16,313
But a chance meeting
with David Crosby, following his unceremonious exit from the Byrds,

299
00:21:16,348 --> 00:21:18,437
would draw her west to LA.

300
00:21:18,472 --> 00:21:23,832

from both sides now...

301
00:21:23,867 --> 00:21:26,433
Walked in to a coffee house
in Florida.

302
00:21:26,468 --> 00:21:28,232
She was singing.

303
00:21:31,833 --> 00:21:34,158
My heart nearly stopped.

304
00:21:34,193 --> 00:21:36,918


305
00:21:36,953 --> 00:21:40,918
I'd never heard anybody play
like her, anybody sing like her.

306
00:21:40,953 --> 00:21:45,432
I most especially had never heard
anybody write like her, and I still haven't.

307
00:21:45,467 --> 00:21:47,952
For about a year after that, we...

308
00:21:49,113 --> 00:21:51,393
..stayed together. It was good.

309
00:21:57,632 --> 00:22:00,332
David Crosby had been thrown out
of the Byrds

310
00:22:00,367 --> 00:22:02,998
and hadn't found Crosby,
Stills And Nash yet,

311
00:22:03,033 --> 00:22:06,878
so he was bumming around town
in a VW bus with a Porsche engine.

312
00:22:06,913 --> 00:22:11,193
And one night, David says, "Come on
up to the house and we'll get high."

313
00:22:11,228 --> 00:22:13,158
He always had the best dope.

314
00:22:13,193 --> 00:22:17,412
It was like being invited for a
wine tasting at Baron Rothschild's.

315
00:22:17,447 --> 00:22:21,632
About three or four in the morning,
we're pretty wasted and David said,

316
00:22:21,667 --> 00:22:25,449
"Oh, there's someone
I want you to hear..."

317
00:22:25,484 --> 00:22:29,197
..and comes back downstairs

318
00:22:29,232 --> 00:22:32,592
with Joni Mitchell -
live, with a big guitar.

319
00:22:32,627 --> 00:22:34,512


320
00:22:35,193 --> 00:22:36,877


321
00:22:36,912 --> 00:22:40,632


322
00:22:41,832 --> 00:22:44,878


323
00:22:44,913 --> 00:22:48,798


324
00:22:48,833 --> 00:22:52,638
She played songs
that hadn't even been recorded yet.

325
00:22:52,673 --> 00:22:56,112
Nobody had heard that music.
Nobody had heard that voice.

326
00:22:56,147 --> 00:22:58,918
For us, it was like a hallucination.

327
00:22:58,953 --> 00:23:02,832
But by the time Crosby had finished
producing her first album,

328
00:23:02,867 --> 00:23:06,157
everybody in LA knew
about Joni Mitchell.

329
00:23:06,192 --> 00:23:10,597
I did not do a very good job
of producing her record.

330
00:23:10,632 --> 00:23:15,912
But I did do one wonderful thing,
which was keep everybody else off it.

331
00:23:15,947 --> 00:23:17,558
THAT'S a good thing.

332
00:23:17,593 --> 00:23:20,917
We have the power.
We have the tolerance.

333
00:23:20,952 --> 00:23:23,397
We can go in front of a TV camera,
we can go on the air

334
00:23:23,432 --> 00:23:26,632
and we can say with definition that
Hitler was wrong, Rockwell is wrong,

335
00:23:26,667 --> 00:23:28,597
people who hate Negroes are wrong.

336
00:23:28,632 --> 00:23:31,798
We can get up there
and shout it to the world, Pete!

337
00:23:31,833 --> 00:23:38,513

But I was wrong, yeah, yeah, yeah

338
00:23:38,548 --> 00:23:41,112


339
00:23:41,147 --> 00:23:43,589


340
00:23:43,624 --> 00:23:45,997


341
00:23:46,032 --> 00:23:49,593
I spent years with the Hollies
perfecting the pop song.

342
00:23:49,628 --> 00:23:52,477


343
00:23:52,512 --> 00:23:54,477
Frivolous is not the right word,

344
00:23:54,512 --> 00:23:58,713
but certainly a little shallower than
the stuff I was feeling personally.

345
00:23:58,748 --> 00:24:00,677


346
00:24:00,712 --> 00:24:02,197


347
00:24:02,232 --> 00:24:06,473
So, at one point, the Hollies
were not wanting to do my stuff -

348
00:24:06,508 --> 00:24:10,397
I'm talking about Marrakesh Express,
Teach Your Children,

349
00:24:10,432 --> 00:24:13,872
Lady Of The Island, the first Sleep
Song - and it kinda made me feel bad,

350
00:24:13,907 --> 00:24:16,913
because I thought
they were decent songs.

351
00:24:18,912 --> 00:24:21,438
At the beginning of 1968,

352
00:24:21,473 --> 00:24:26,472
Graham Nash was a highly successful
but thoroughly discontent Mancunian pop star.

353
00:24:27,552 --> 00:24:29,917
By the end of the year,

354
00:24:29,952 --> 00:24:35,952
he'd joined Joni Mitchell,
David Crosby and Stephen Stills on the musical trail to LA.

355
00:24:35,987 --> 00:24:40,513

on the Marrakesh Express...?

356
00:24:40,548 --> 00:24:43,752
Stephen is at loose ends
after Buffalo Springfield.

357
00:24:43,787 --> 00:24:47,150
David has been thrown out
of the Byrds.

358
00:24:47,185 --> 00:24:50,469
He and Stephen tried
to cut some songs.

359
00:24:50,504 --> 00:24:53,753
Graham, as it turns out,
meets up with Joni

360
00:24:53,788 --> 00:24:56,918
while he's on tour with the Hollies.

361
00:24:56,953 --> 00:25:02,917

in your hair...

362
00:25:02,952 --> 00:25:04,673
Joni and I spent the night together
in Ottawa

363
00:25:04,708 --> 00:25:07,432
and I fell completely in love.

364
00:25:08,153 --> 00:25:12,713
Listening to his high harmonies
on the Hollies records, David and Stephen

365
00:25:12,748 --> 00:25:14,677
have conspired to kidnap him.

366
00:25:14,712 --> 00:25:18,477

"That's just the thing we need!"

367
00:25:18,512 --> 00:25:22,512

David shows up at a Hollies show in England.

368
00:25:22,547 --> 00:25:27,478
Crosby came, with his cape
and his cane and his attitude.

369
00:25:27,513 --> 00:25:32,712
"Hmm. Having a hard time with all
these drinking guys who don't wanna cut Marrakesh Express."

370
00:25:32,747 --> 00:25:35,037
He had the best drugs.
He had the best grass.

371
00:25:35,072 --> 00:25:37,713
He had the prettiest women,
who were always naked.

372
00:25:37,748 --> 00:25:41,592


373
00:25:41,627 --> 00:25:43,038
Crosby said,

374
00:25:43,073 --> 00:25:46,473
"They're crazy. We'll record it.
Come on over."

375
00:25:46,508 --> 00:25:54,757


376
00:25:54,792 --> 00:26:00,712
If Nash had any doubts, they were
banished after a musical gathering in the Hollywood Hills.

377
00:26:03,153 --> 00:26:06,633
My memory is
that we were in Joni's living room

378
00:26:06,668 --> 00:26:10,113
and David said, "Hey, Stephen,
play that song."

379
00:26:10,148 --> 00:26:13,952
And it was, um...
You Don't Have To Cry.

380
00:26:13,987 --> 00:26:16,237


381
00:26:16,272 --> 00:26:19,077


382
00:26:19,112 --> 00:26:21,993
And he said, "Sing it again.
That's fabulous!"

383
00:26:22,028 --> 00:26:23,997


384
00:26:24,032 --> 00:26:28,473
"OK, one more time.
Just sing it one more time."

385
00:26:28,508 --> 00:26:30,278


386
00:26:30,313 --> 00:26:34,152
The third time, I put my harmony
in there and my world changed.

387
00:26:34,187 --> 00:26:37,878


388
00:26:37,913 --> 00:26:40,752
Stephen and I both had the same
thought, which rarely happens.

389
00:26:40,787 --> 00:26:44,478
We both thought, "Oh! We know
what we're gonna be doing."

390
00:26:44,513 --> 00:26:49,917
I heard that sound and that's what
I wanted. I wanted that sound.

391
00:26:49,952 --> 00:26:54,912
And I left everything. I left
the Hollies, I left my band, I left my family and I went to America.

392
00:26:54,947 --> 00:26:57,678


393
00:26:57,713 --> 00:27:00,917


394
00:27:00,952 --> 00:27:04,712
Graham Nash was the latest addition
to a communal Who's Who of LA music

395
00:27:04,747 --> 00:27:08,672
that had made its home in
the most tranquil of city settings.

396
00:27:11,753 --> 00:27:16,438
Los Angeles is unusual in that it has
a mountain range running through it.

397
00:27:16,473 --> 00:27:21,953
There are several canyons that slice
through it in a more or less north to southerly trace.

398
00:27:21,988 --> 00:27:26,193
Laurel Canyon was settled
at the turn of the 20th century -

399
00:27:26,228 --> 00:27:29,637
in the early 1900s -
by land speculators.

400
00:27:29,672 --> 00:27:34,073
It was a place where, mostly, people
would come to hunt on the weekends -

401
00:27:34,108 --> 00:27:37,912
a bucolic canyon in the middle
of this unsparing urban environment.

402
00:27:41,472 --> 00:27:46,673
Since the 1920s, Los Angeles
had traded on the contrasting
allure of sun and surf by day

403
00:27:46,708 --> 00:27:49,518
and Hollywood glitz by night.

404
00:27:49,553 --> 00:27:53,317
But the spiritual Shangri-La
for a generation

405
00:27:53,352 --> 00:27:57,478
collectively committed
to going back to the garden

406
00:27:57,513 --> 00:28:02,033
was Laurel Canyon,
a rural paradise nestled right behind Sunset Strip.

407
00:28:04,233 --> 00:28:06,132


408
00:28:06,167 --> 00:28:07,997
I lived across the street

409
00:28:08,032 --> 00:28:10,312
from Mark Volman of the Turtles.

410
00:28:10,347 --> 00:28:12,477
On my street alone

411
00:28:12,512 --> 00:28:17,832
was Mama Cass, Henry Diltz,
Joni Mitchell, Carl Wilson.

412
00:28:17,867 --> 00:28:20,489
Jim Morrison right up the hill.

413
00:28:20,524 --> 00:28:22,838


414
00:28:22,873 --> 00:28:25,118
Tim Hardin was living there.

415
00:28:25,153 --> 00:28:28,953
There was Frank Zappa and the
Mothers. There was Frazier Mohawk.

416
00:28:28,988 --> 00:28:31,038
Stephen Stills, David Crosby.

417
00:28:31,073 --> 00:28:35,433
I'd been living there
since the Byrds. Jackson Browne.

418
00:28:35,468 --> 00:28:36,272
Micky Dolenz lived round the corner.

419
00:28:36,307 --> 00:28:38,833


420
00:28:38,868 --> 00:28:40,398
Tim Buckley

421
00:28:40,433 --> 00:28:43,358
and Larry Beckett
lived somewhere else,

422
00:28:43,393 --> 00:28:46,373
but they were at our house really,
really a lot.

423
00:28:46,408 --> 00:28:49,318
Eric Burdon was living
in the canyon.

424
00:28:49,353 --> 00:28:53,273
The Doors had a place in canyon.
John Mayall lived in the canyon.

425
00:28:53,308 --> 00:28:55,478
Crazy Horse had a house
in the canyon.

426
00:28:55,513 --> 00:29:00,953
The late, great record producer Paul
Rothschild had a house in the canyon,

427
00:29:00,988 --> 00:29:05,913
with the late Fritz Richmond,
who was the jug player...

428
00:29:05,948 --> 00:29:07,917


429
00:29:07,952 --> 00:29:10,353


430
00:29:10,388 --> 00:29:12,850


431
00:29:12,885 --> 00:29:15,277


432
00:29:15,312 --> 00:29:21,472
Graham Nash found himself in the
midst of an extraordinary community of songwriters.

433
00:29:21,507 --> 00:29:25,489
But his alliance with David Crosby
and Stephen Stills was hampered

434
00:29:25,524 --> 00:29:29,472
by a series of contracts binding
all three to their previous bands.

435
00:29:29,507 --> 00:29:32,389
They needed professional help.

436
00:29:32,424 --> 00:29:35,237
We knew that we needed a manager,

437
00:29:35,272 --> 00:29:40,832
and we thought we had met one
that was intelligent, that we liked, in Elliot Roberts.

438
00:29:40,867 --> 00:29:43,958
He was already managing Joni,
and we liked him.

439
00:29:43,993 --> 00:29:47,272
But we also knew that we were going
into the big leagues,

440
00:29:47,307 --> 00:29:50,470
and, essentially, the big leagues
are a shark pool,

441
00:29:50,505 --> 00:29:53,598
so we thought it would be good if
we had our own shark.

442
00:29:53,633 --> 00:29:58,992
I think I liked music.
Whatever strikes me as being good is something that I wanna record.

443
00:29:59,027 --> 00:30:02,958
I don't think that every record
we make is a hit,

444
00:30:02,993 --> 00:30:05,333
or that every artist that we record
is going to be a star,

445
00:30:05,368 --> 00:30:07,673
but I think that all the music we
put out is very valid.

446
00:30:16,473 --> 00:30:19,632
First of all, I had
no contracts with my clients.

447
00:30:19,667 --> 00:30:21,718
They could all leave at any time.

448
00:30:21,753 --> 00:30:24,633
As it happens,
none of them ever left.

449
00:30:29,992 --> 00:30:35,233
It was my job to stand like a dam
against the river of shit that was coming down on these people,

450
00:30:35,268 --> 00:30:37,518
and that was a difficult job.

451
00:30:37,553 --> 00:30:40,993
I don't think THEY had a sense of how
difficult it was,

452
00:30:41,028 --> 00:30:44,437
but I certainly did
and, given how young we were,

453
00:30:44,472 --> 00:30:47,673
how inexperienced we were,
I think we did a pretty great job.

454
00:30:59,392 --> 00:31:05,593
David Geffen and Elliot Roberts
set up shop on Sunset Strip in 1969,

455
00:31:05,628 --> 00:31:08,630
and set about challenging the
balance of power

456
00:31:08,665 --> 00:31:11,598
in LA's increasingly outdated
music industry.

457
00:31:11,633 --> 00:31:15,513
Most of the business was still
centred in New York,

458
00:31:15,548 --> 00:31:19,597
so...we had an advantage
over the people

459
00:31:19,632 --> 00:31:22,512
who were surfing
and smoking a lot of pot out here.

460
00:31:22,547 --> 00:31:26,993
Our metabolisms ran
at a much higher speed.

461
00:31:30,233 --> 00:31:33,917
New York's Tin Pan Alley
and Brill Building -

462
00:31:33,952 --> 00:31:40,473
songwriting factories churning out
hits for artists considered disposable by their record labels -

463
00:31:40,508 --> 00:31:43,170
had dominated the industry
for decades.

464
00:31:43,205 --> 00:31:45,798
Geffen and Roberts had
a different model,

465
00:31:45,833 --> 00:31:49,878
in which the artist was the centre
of the musical world.

466
00:31:49,913 --> 00:31:56,032
There were deals for artists
with the record companies that were, you know, horrible,

467
00:31:56,067 --> 00:31:59,958
and David and Elliot, in particular,
changed the dynamic.

468
00:31:59,993 --> 00:32:04,192
Up until then, the artists were
getting screwed in a profound way.

469
00:32:04,227 --> 00:32:08,392
After them, they only got screwed
in a less-than-profound way.

470
00:32:11,033 --> 00:32:16,398
In 1969, David Geffen set about
negotiations

471
00:32:16,433 --> 00:32:20,633
to release David Crosby, Graham Nash
and Stephen Stills from their previous commitments,

472
00:32:20,668 --> 00:32:25,192
and allow them to begin work on
their eagerly anticipated first album.

473
00:32:25,227 --> 00:32:28,117
He's a rapacious businessman.

474
00:32:28,152 --> 00:32:31,752
Once you give him
something to work with,

475
00:32:31,787 --> 00:32:35,318
he will, you know, tear it up,
and he did.

476
00:32:35,353 --> 00:32:39,273
Elliot and I were baby doctors
helping them deliver their baby,

477
00:32:39,308 --> 00:32:40,998
but it was about them.

478
00:32:41,033 --> 00:32:43,078
They were genuinely exciting.

479
00:32:43,113 --> 00:32:46,117
When you heard them sing,
you were blown away.

480
00:32:46,152 --> 00:32:50,513
When Stephen wrote Suite -
Judy Blue Eyes, about Judy Collins,

481
00:32:50,548 --> 00:32:53,433
who he was having a relationship with
at the time,

482
00:32:53,468 --> 00:32:56,032
and you heard them sing that song,

483
00:32:56,067 --> 00:32:59,989
it was awesome.

484
00:33:00,024 --> 00:33:03,912


485
00:33:06,432 --> 00:33:09,672


486
00:33:12,992 --> 00:33:16,192


487
00:33:17,673 --> 00:33:19,733
They had wonderful songs,

488
00:33:19,768 --> 00:33:21,758
exquisitely roving melodies,

489
00:33:21,793 --> 00:33:24,593
and the simplest of arrangements.

490
00:33:24,628 --> 00:33:27,152
The whole thing was so pure.

491
00:33:27,187 --> 00:33:29,569
And it sang.

492
00:33:29,604 --> 00:33:31,917
And it worked.

493
00:33:31,952 --> 00:33:33,033
And it touched your heart.

494
00:33:36,633 --> 00:33:39,478
Just like their LA predecessors,

495
00:33:39,513 --> 00:33:42,318
the Beach Boys
and the Mamas And Papas,

496
00:33:42,353 --> 00:33:45,552
Crosby, Stills And Nash were
a harmony group,

497
00:33:45,587 --> 00:33:48,277
but they encapsulated a new spirit -

498
00:33:48,312 --> 00:33:52,957
the laid-back acoustic sound
of Laurel Canyon.

499
00:33:52,992 --> 00:33:56,352
We wanted to engage the listener
and put the listener on a journey

500
00:33:56,387 --> 00:33:59,369
where you smoked a big one,
took the shrink-wrap off,

501
00:33:59,404 --> 00:34:02,352
put the record on the record player,
and you were gone!

502
00:34:02,387 --> 00:34:09,873


503
00:34:11,313 --> 00:34:17,712


504
00:34:20,553 --> 00:34:26,597
People say, "I don't know how many
hours I stared at that picture."

505
00:34:26,632 --> 00:34:32,753
I had a musician from England say,
"We used to sit and look at that Crosby, Stills And Nash cover

506
00:34:32,788 --> 00:34:35,910
"and say, 'What is it like
to be there in California?'

507
00:34:35,945 --> 00:34:39,033
"and just stared at that thing
while the music played."

508
00:34:39,068 --> 00:34:42,997

underneath...

509
00:34:43,032 --> 00:34:47,472
The '60s counterculture
had been dominated by the strident psychedelia

510
00:34:47,507 --> 00:34:51,197
of acts like Jimi Hendrix, Cream
and the Grateful Dead,

511
00:34:51,232 --> 00:34:56,993
but LA had produced a new sound
that was both commercial and politically credible.

512
00:34:59,472 --> 00:35:02,793
FM radio, which was our path
to the marketplace,

513
00:35:02,828 --> 00:35:05,878
was all hard-ass rock'n'roll,
you know,

514
00:35:05,913 --> 00:35:10,953
and then along came acoustic guitars
and three harmonies,

515
00:35:10,988 --> 00:35:13,490
and it just changed everything.

516
00:35:13,525 --> 00:35:15,958

Da-de-dum-de-dum...

517
00:35:15,993 --> 00:35:20,153
They had a hit album,
a formidable manager

518
00:35:20,188 --> 00:35:22,757
and were planning a live tour,

519
00:35:22,792 --> 00:35:26,472
but Crosby, Stills And Nash
also had a problem.

520
00:35:27,233 --> 00:35:32,153
Stephen played both guitar
and keyboard on the record, and you can't do that on stage.

521
00:35:32,188 --> 00:35:36,078
Stephen talked to Ahmet Ertegun, who
owned Atlantic Records at the time,

522
00:35:36,113 --> 00:35:42,473
a dear friend and a great supporter
of Crosby, Stills And Nash, and he said, "Why don't you talk to Neil?"

523
00:35:42,508 --> 00:35:45,490


524
00:35:45,525 --> 00:35:48,473


525
00:35:48,508 --> 00:35:49,752


526
00:35:51,592 --> 00:35:55,392
Less than a year after the collapse
of Buffalo Springfield,

527
00:35:55,427 --> 00:35:59,158
Neil Young had already begun
to make his mark as a solo artist.

528
00:35:59,193 --> 00:36:06,513
Now he was the fourth front man
in a supergroup overflowing with individual talent.

529
00:36:08,952 --> 00:36:10,917
Even then,

530
00:36:10,952 --> 00:36:12,957
Neil was powerful.

531
00:36:12,992 --> 00:36:17,313
You weren't sure if you wanted
to be competing with that power or co-operating with it.

532
00:36:17,348 --> 00:36:20,112


533
00:36:22,593 --> 00:36:27,113
It was inevitable that
that band would be as big as it turned out to be.

534
00:36:27,148 --> 00:36:28,797
No question about it.

535
00:36:28,832 --> 00:36:34,553
And it was also inevitable
when Neil joined the group

536
00:36:34,588 --> 00:36:37,512
and it became
Crosby, Stills, Nash And Young,

537
00:36:37,547 --> 00:36:40,149
that, inherent in that greatness,

538
00:36:40,184 --> 00:36:42,717
was the seeds of its destruction.

539
00:36:42,752 --> 00:36:47,612

for a while...

540
00:36:47,647 --> 00:36:52,473
Crosby, Stills, Nash And Young's
mutual ambition

541
00:36:52,508 --> 00:36:55,078
had brought them fame and fortune,

542
00:36:55,113 --> 00:36:59,652
but over the next ten years, their
early potential would be squandered

543
00:36:59,687 --> 00:37:04,157
amid clashing egos, drug addiction
and the trappings of celebrity,

544
00:37:04,192 --> 00:37:10,992
and as the collective spirit of the
'60s gave way to an age that would come to be known as the Me Decade,

545
00:37:11,027 --> 00:37:14,912
LA's solo singer-songwriters
found their voice.

546
00:37:35,993 --> 00:37:37,918
When listening to music,

547
00:37:37,953 --> 00:37:41,832
look at the social forces that
surrounded it when it came out.

548
00:37:44,472 --> 00:37:46,352
Look at what happened that year.

549
00:37:50,152 --> 00:37:53,557
In the summer of 1969,
there was a genuine feeling

550
00:37:53,592 --> 00:37:58,512
that the collective values
of the Woodstock generation might change the world.

551
00:37:58,547 --> 00:38:02,592
By the end of the year, that
optimism would be all but shattered.

552
00:38:04,392 --> 00:38:07,512
The assassinations
of Martin Luther King

553
00:38:07,547 --> 00:38:10,918
and Robert F Kennedy

554
00:38:10,953 --> 00:38:12,832
so shook our world in America...

555
00:38:14,952 --> 00:38:17,958
..but in '69...

556
00:38:17,993 --> 00:38:22,072
Charles Manson
visited Los Angeles,

557
00:38:22,107 --> 00:38:26,117
and that changed the entirety
for ever.

558
00:38:26,152 --> 00:38:31,712

at the edge of town

559
00:38:32,952 --> 00:38:37,518

cos we don't come around...

560
00:38:37,553 --> 00:38:42,233
'The Manson family has become the
most notorious of hippy groups...

561
00:38:42,268 --> 00:38:45,798
'It is said they were
a pseudo-religious cult.

562
00:38:45,833 --> 00:38:49,752
'People who worked on the ranch said
they were heavy users of drugs.'

563
00:38:49,787 --> 00:38:52,872
We went horseback riding out there
at that farm.

564
00:38:52,907 --> 00:38:54,913
We knew some of the people.

565
00:38:56,953 --> 00:38:58,957
It was just terrifying.

566
00:38:58,992 --> 00:39:02,072
'Among his followers,
members of the family,

567
00:39:02,107 --> 00:39:04,473
'Manson is regarded as a saint.

568
00:39:04,508 --> 00:39:05,478
'Many call him Jesus.'

569
00:39:05,513 --> 00:39:09,993
It was the commune gone wrong,
wasn't it?

